He made intricate, vividly colored screen prints, often in collaboration with artists such as Alexander Calder, Sam Gilliam and Jacob Lawrence
to organize exhibitions and classes at the Dupont Center, a short-lived museum and workshop that opened in 1969 as an extension of the Corcoran Gallery of Art. At the center’s townhouse near Dupont Circle, Mr. Stovall made frames for Gilliam’s paintings, printed photos for the artistand helped teach printmaking to fourth-graders, military personnel and others.
“By printing works of others … by organizing lots of shows, by offering his services as framer and installer and adviser and promoter, he energized the art scene,” Richard added. “His teaching has been ceaseless. Stovall is most often glimpsed surrounded by a retinue of students, aides, apprentices and colleagues. His presence is at once modest and commanding, tolerant and strict, and his influence has been enormous.
“We speak the same language,” Lawrence told the Times. “When I tell him that certain lines need to be sharper, that I want more depth or texture to the color, he knows exactly what I’m talking about. He makes it happen because he is a craftsman who is also an artist.” “A lot of that came because of working with some of the artists who were looking for ways of doing things, and I was there to help them achieve it,” he continued. “It was more of an adventure than anything else.”
Mr. Stovall also had a daughter, Calea, from an earlier marriage to Elizabeth Wilson, which ended in divorce.
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