Director Jason Reitman had to harness the energy of the sketch show that turned its 20-something comedians into superstars.
Growing up in the post-television United States of America, there are only three great milestones in a teenager’s life, says film director Jason Reitman.
The cast of Saturday Night Live in 1978: Jane Curtin, Chevy Chase, Bill Murray, Gilda Radner and Laraine Newman.did not air here. That does not take away from the natural conceit of ‘will they or won’t they get the show on air’, a tension wire that runs through the film. Indeed, this could be the story of Australia’s Norman Gunston. Or Graham Kennedy’sIn fact, the film is stunning. The comic beats are almost perfect.
The film, LaBelle adds, is deeply rooted in the reality – good and bad – that existed back then. “All your characters are just so present in their immediate environment,” LaBelle says. “There’s no reflection on their childhood or any big monologue that takes a stage where you breathe into it or anything. You are just reacting to what’s in front of you, and you just trust each other and move with it. It’s really fun to also just get out of your own head and trust that he knows what to do.
One of the most unusual aspects of the film is that Reitman essentially shot it twice, the first time using stand-ins with the view that once he had road-mapped how he wanted to shoot the film, he could do so by leaning minimally on the cast and allowing the film to be shot more or less in time order.“As I get older, I get more specific. I shoot less coverage,” Reitman says.
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