King's 'The Monkey': A Gore-Drenched Triple Play

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King's 'The Monkey': A Gore-Drenched Triple Play
Stephen KingThe MonkeyHorror Film
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A review of the new horror film 'The Monkey' based on the works of Stephen King. While not reaching the heights of his most acclaimed adaptations, the film delivers inventive kills and a healthy dose of macabre humor.

Stephen King 's works have always been a mixed bag, delivering both unforgettable masterpieces and utter flops. For every critically acclaimed adaptation like Stanley Kubrick's The Shining (which King famously detested), Rob Reiner's Misery, Brian De Palma's Carrie, Rob Reiner's Stand By Me, Andy Muschietti's It, and Frank Darabont's The Shawshank Redemption, there are the less successful ones, like King's own Maximum Overdrive, Lawrence Kasdan's Dreamcatcher, and Nikolaj Arcel's The Dark Tower.

The new horror film, The Monkey, falls somewhere in the middle. While it doesn't quite reach the heights of a home run due to some tonal inconsistencies, it's a solid triple. The film succeeds by embracing King's signature macabre humor, a recurring element throughout his works, from the chilling clown scares in It to the consumeristic frenzy in Needful Things. The Monkey revolves around a creepy windup monkey doll that plays cymbals and sports a disconcertingly stressed-out smile. The doll re-enters the lives of two very different twins (played by Theo James) after being discovered in the family attic. A prologue featuring Adam Scott reveals how the demonic toy first entered the family and became trapped in the attic. The monkey is subsequently linked to a string of gruesome deaths, including the twins' mother (Tatiana Maslany). As the twins enter adulthood, the monkey returns, relentlessly haunting them. While not as terrifying as King's Pet Sematary or Mike Flanagan's underrated Doctor Sleep, a sequel to The Shining, The Monkey boasts some of the most inventive and shocking kills reminiscent of the Saw franchise. James delivers a convincing performance as both the somewhat hapless Hal and the wild-spirited Bill. A cameo appearance by Elijah Wood is so hilariously unexpected that you wish he had more screen time. Director, Chris Perkins, known for his work on Longlegs, proves to be a suitable collaborator with King, skillfully balancing the scares with the right amount of humor. Fans of King expecting authentic chills might leave feeling unsatisfied, but those seeking tongue-in-cheek horror with a generous dose of gore will likely find themselves captivated

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