Killers of the Flower Moon Is a New Kind of Scorsese Masterpiece

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Killers of the Flower Moon Is a New Kind of Scorsese Masterpiece
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However high your expectations are, raise them.

was released in 2016, I wrote that, though I ardently hoped it would not be his last, that meditative and deeply personal film would have made a fitting capstone to an illustrious career.

.” Without ever hammering the point home, the film makes Ernest’s monstrous betrayal of Mollie a kind of scale model for the foundational American crime of Native American genocide, one that leads us to sense our own complicity in this vast web of violence..

could stand as a worthy swan song for its creator , but with a profound wish that the swan keep singing. Scorsese has already spoken about hisKillers ends on a breathtaking stylistic swerve, an epilogue that recasts the tale of the Osage murders in a storytelling medium other than film. I’ll preserve the beautiful surprise of this sequence by noting only that it represents an unprecedented moment of self-disclosure and self-critique from an artist keenly aware of the moral responsibility he bears in recounting a true-crime story in which his ancestors, and those of any white member of the audience, were on the side of the criminals.

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