Jonathan Cohen Spring 2025 Ready-to-Wear collection, runway looks, beauty, models, and reviews.
Not so long ago, the NYC LGBT Center on West 13th Street held one of its annual fashion industry focused fundraising dinners. Movie producer and Center stalwart Dorothy Berwin gave a rousing call to action to get behind the space and the organization like never before, because—as if this needs saying, all too sadly—homophobia and transphobia are on the rise. Designer Jonathan Cohen , who first visited the Center in 2021, was at that dinner and took note.
Which is why bright-ish and early-ish on a Saturday morning, we were back at the Center to see Cohen’s Spring 2025 collection. It was a symphony of: color ; pattern ; beading and embroideries exploding like supernovas over shirting and lanky jeans; and gentle layering like a dress over a skirt over big pants, which, seen here and elsewhere, is beginning to coalesce into one idea of how you might want to dress come next spring.
One of Cohen’s best qualities as a designer is his intentionality. His choice of venue was one of them: The desire to do his part, make a difference, be sensitive to the world, is very Cohen. The other way it shows up is in how he meticulously researches and thinks through the starting point of any collection. One thing was uppermost as he started Spring 2025. “How can you push things forward, make the future better?” he said. “Clothing has the power to do that.
He alighted on music, an abiding love of his, which led him to reading about people who see colors when they listen to it—synesthesia, the condition is called. That in turn set him off on his foray into those aforementioned bold hues, or a rather psychedelic striped textile which is a Japanese fabric that takes some three months to make just fifteen meters of; Cohen used it for a short wrap skirt and a shoulder hugging jacket.
Spring 2025 Ready-To-Wear Runway_Review Runway
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