You don’t initially see a full elephant at the Broadway musical “Water for Elephants.”.
FILE - Jessica Stone attends the Broadway opening night for"Water For Elephants" at The Imperial Theatre on Thursday, March 21, 2024, in New York. – You don't initially see a full elephant at the Broadway musical “Water for Elephants.” It's more like a tease. First come a pair of enormous ears. Then a trunk. And then the legs.
“It’s a very humble, disciplined, hard-working, loving cast,” she says. “I overuse this metaphor, but it couldn’t be more true: We literally and figuratively hold out our arms and catch each other.”PigPen Theater Co.The New York Times called it “a stunning, emotional production that ”leads with movement, eye candy and awe." Variety raved that Stone brought “it all under one spectacular tent without forgetting its human — and animal — hearts.
That took two years to develop, and Stone calls it “the gate to the rest of the show.” She credits producers for giving her team the time to create it and to figure out the way to marry Broadway timing to circus. “She’s brilliant. She’s funny. She’s totally prepared. She’s fast on her feet. She’s somebody that you just love to have lunch with because you laugh a lot and you bat ideas back and forth, which to me is a great lunch,” he says.
That became the key to how to marry circus elements in “Water for Elephants” — they are hazy memories for the main character, fragmented and not fully formed. So, a lion is presented as just a head and a jaw and a horse in pain is shown by a mask in an actor's lap while French performer Antoine Boissereau elegantly swings high from a white cloth, the spirit of the animal drifting between life and death.
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