‘Jaja’s African Hair Braiding’ Review: Broadway Production Celebrates a Sacred Space for Black Women

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‘Jaja’s African Hair Braiding’ Review: Broadway Production Celebrates a Sacred Space for Black Women
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Jocelyn Bioh's 'Jaja's African Hair Braiding' is a celebration of Black women immigrants and sacred spaces.

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Born in Senegal, Marie has called Harlem home for nearly a decade and a half. However, a lack of immigration papers and the expensive requirements of the Deferred Action for Childhood Arrivals program have stalled her plans for university. After a quick rundown of her chaotic morning, Marie opens the shop. The sweet-hearted braider Miriam , who dreams of bringing her young daughter to America from Sierra Leone, follows on Marie’s heels.

Throughout the 90-minute runtime, there are lighthearted moments between the braiders, especially after a jewelry man , who has a crush on Ndidi, enters the shop and leaves all the ladies in a fit of giggles. Viewers are eventually introduced to Jaja, who visits the shop to show off her bridal gown—a celebratory moment resulting in a money dance.

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