The drama series event, Italian Global Series (IGS), returns for its second edition this year, running in Rimini and Riccione.
Tony Awards Winners: 'Schmigadoon!
' Best Musical, 'Liberation' Best Play; John Lithgow, Lesley Manville, 'Ragtime' Duo Top Acting HonorsItalian Global Series returns for its second edition this year and will run from July 3 to 6 in Rimini and from July 7 to 10 in Riccione. IGS organizers said they received over 160 series submissions from around the world, with the final selection of the International Competition featuring 21 series from 15 countries representing Europe, Asia, North America, and Latin America.
Hugh Laurie Issues Waspish Retort To Viral Critique Of 'House' Having "Same Narrative Every Episode" The International Competition is divided into Drama, Comedy, and Limited Series. In each category, series can win a Maximo Award for Best Series, Best Lead Actor, Best Lead Actress, and Best Creator/Director. There is also a Special Jury Prize.
Nicholas Meyer will serve as the President of the Limited Series Jury; American producer Marti Noxon will serve as President of the Drama Series Jury; and French actor and playwright Bruno Gouery will serve as President of the Comedy Series Jury. Italian Global Series is directed by Marco Spagnoli and conceived and organized by APA , in collaboration with Cinecittà, with the support of the Ministry of Culture, the Emilia-Romagna Region, the municipalities of Riccione and Rimini, and AGIS.
A light-hearted crime drama set in a holiday resort on Spain’s Costa Blanca, where a reluctant and irresistibly laid-back detective solves murders under the Mediterranean sun. He is played by the versatile Scottish actor John Hannah, beloved by comedy audiences for roles ranging fromDennis and Rosa are a crime-solving duo: a burned-out ex-cop running a shabby pub and a wannabe actress.
They solve murders in hotels, clubs, caravan parks and on the beach, juggling sunburnt tourists, feuding families and missing cash while Inspector Maria and assistant Jesús watch them somehow crack the cases. An intensely gripping legal drama, driven by a relentless pace, morally ambiguous characters, and an aggressive visual style that makes extensive use of handheld camerawork.
Winner of the Audience Award at the Series Mania Festival in Lille, it was a major success in its home country and has already been renewed for a second season.peels back the polished surface of Stockholm’s elite law firms to reveal a world where desperation, ambition, and moral compromise simmer just beneath the surface. Set in a justice system under pressure, the series delivers an exploration of truth, loyalty, and power — where every verdict has a price.is brought to the screen by Elena Sofia Ricci in one of the most beloved crime series in contemporary Italian television.returns in a compelling new chapter.
In this third season, the profiler faces one of the most complex cases of her career: a serial killer with a dark past who leaves disturbing clues and ritual mutilations along a mysterious symbolic trail. Alongside the investigation, Teresa’s personal life is shaken by the return of a ghost from her past, in a story woven with tension, emotion, and revelations.
Against a backdrop of historic sites and urban landscapes, the team moves among Udine, Aquileia, and Cividale del Friuli in a narrative in which the line between justice and truth becomes increasingly blurred.is being screened before an audience for the first time. An adrenaline-fueled medical drama, it follows paramedics racing against the clock through the streets and favelas of Rio de Janeiro, with a visual style openly inspired by American superhero imagery.
Dr. Irene leads a mobile emergency unit with two ambulances, each staffed by doctors, nurses, and drivers. Skilled yet overlooked, they operate between accident scenes and overcrowded hospitals, navigating daily chaos while saving lives. Through their stories, we witness the intense reality of those who live to keep others alive.is an elegant and exotic spy thriller, true to the traditions of the genre, yet also deeply political, drawing viewers into a web of moral ambiguity and power struggles.
Kate Henderson is a senior member of MI6 running a secret intelligence operation out of Valletta, Malta. Lena, working for Kate, is staying at a villa belonging to a senior member of Russia’s Foreign Intelligence Service, masquerading as his son’s nanny. When Lena places a bug in a strategic location, Kate and her team listen in.
They overhear snatches of a conversation saying that the UK’s Prime Minister is due to resign and that the Russians have a candidate in ‘pole position’ to replace him. Shocked, Kate returns to the UK. Her superiors are reluctant to investigate until they have more concrete information, but Kate and her teammate Rav are convinced they need to move quickly.
When the Prime Minister calls a surprise press conference and announces he’s standing down, proving the worth of her intelligence, Kate and MI6 go into overdrive. How did the Russians know in advance? And could there really be a mole at the heart of the British government? They begin digging into the key candidates who could be in line for the PM’s replacement, including Ryan Walker, the Foreign Secretary, and Imogen Conrad, the Chancellor.
This puts Kate in a difficult position; Imogen is one of Kate’s closest friends and her husband’s boss. With tensions mounting, Kate uncovers more secrets, some closer to home than others, and wonders who she can trust. She also needs to get Lena out of Malta – and fast.
As the political contest between Ryan and Imogen hots up, the race is on for Kate and MI6 to work out the extent of Russia’s links and the identity of the mole. Speaking Dead is an intense thriller built across multiple timelines, starring Han Suk-kyu, one of South Korea’s most acclaimed actors and the winner of last year’s Maximo Award at Italian Global Series in the Drama section forA forensic scientist resorts to extreme measures to force the reinvestigation of a prosecutor’s suspicious death.
As a profiler retraces the case, hidden motives and buried evidence emerge, revealing a tense investigation that uncovers a deeper network of power and corruption.is the first American title competing at IGS and marks the eagerly anticipated return of the acclaimed horror anthology. In its third incarnation, the series reconnects with its literary roots through an adaptation of the novel by acclaimed African American author Victor LaValle.
A prestigious production from Sir Ridley Scott’s company, it is overseen by Halt and Catch Fire showrunner Christopher Cantwell and features a cast including Dan Stevens as David, a Catholic priest, in BAFTA and Emmy award- winning writer Jack Thorne’s first ever love story, directed by BAFTA-winning Peter Hoar . Both are deeply committed to their work in the church and their communities.
Neither expected to fall in love. But when they do, both are forced to wrestle with what it means for them, their vows, and their relationship with God. Falling is a witty, moving, contemporary romantic drama that is as honest as it is full of heart.stars Valérie Bonneton, a leading figure of French cinema who has worked with directors such as André Téchiné, Patrice Leconte and Guillaume Canet.
The series confronts, head-on and without easy answers, themes such as toxic relationships, femicide and patriarchy. For this reason, it will be screened as part of a special “anti-patriarchal” evening alongsideLaura, a pharmacist and mother, has devoted her life to helping victims of domestic violence, founding the organization ‘Women Standing Tall. ’ But when she witnesses the shocking murder of one of her members, her world is shattered.
Tormented by the femicide and outraged by the indifference of the police and justice system, Laura decides to take matters into her own hands. How far will she go to protect the women around her? , starring Raoul Bova as the principal of a school where inclusion is not an abstract principle but a daily challenge.
Vittoria is a seventeen-year-old girl from an affluent Roman family who is forced to move to a provincial town after her mother enrolls her autistic brother, Matteo, at the Hellen Keller High School, an institution that specializes in providing practical and emotional support to students with disabilities and their families. After initially rejecting the new reality she finds herself in, Vittoria must overcome her prejudices and become part of a close-knit group of friends facing the typical challenges of adolescence, on a journey in which each character confronts their own limitations.is a story of violent rebellion whose roots stretch back to the 1970s, during the Pinochet dictatorship.
It offers a social and anthropological look at the most extreme fringes of organized football fandom in South America. After a street fight, Carlos and Clavo forge a friendship on the outskirts of Santiago, shaped by soccer and dictatorship. As adults, they join Colo-Colo’s supporters’ group and enter a world of mafia and violence. After the death of the Garra Blanca’s historic leader, Carlos – now known as Barti – rises as his successor.
The Red and the Black , for either the small or the big screen since 1998. Today, the web of passions and ambitions that shapes the dazzling life of Julien Sorel returns at the heart of a major production. Rather than seeking to modernize the text through flamboyant stylistic devices, director Gaël Morel offers a nuanced reinterpretation of its human relationships, focusing on how the characters interact, confront one another, and engage in dialogue.
The journey of the ambitious and conflicted Julien Sorel, torn between two women as opposite as they are complementary—Louise de Rênal and Mathilde de La Mole—and who will die for it. Based on the work by StendhArce, Miriam Giovanelli, Álvaro Rico, Oscar de la Fuente, Luisa Mayol, Raúl Prieto,A layered ensemble family thriller where everyone has something to hide, and revelations are revealed, one after another.
Moving between past and present, Sergio Cánovas’s new series is a finely crafted and intricately constructed narrative machine that has attracted an impressive roster of stars from Spanish cinema and television. At his 80th birthday party, the powerful patriarch Adolfo Novak gathers family and friends. Behind the smiles lie decades of secrets, betrayals, and revenge. The evening erupts, revealing a truth more shocking than anyone could have ever suspected.
, particularly in its evocative use of noir lighting. The two lead roles are played by prominent faces of contemporary German television: Jonas Nay , actress Ikram Aoulad , and hip-hop artist Miss Angel, who is making her acting debut.
Bendig, Nick Ferenc, František Balog, Matěj Hádek, Zuzana Stivínová, Táňaportrays prison life without sugarcoating and with just the right rough edge. Sometimes the irony turns bitter and, with a typically Eastern European sensibility, highlights the paradoxes of institutions, as well as the madness and meanness born from the pursuit and preservation of power.
In ten episodes of this comedy series, viewers will learn how to make a vibrator out of a toothbrush and a crossbow out of a coat hanger alongside young first-time convict David Broulík. They will also learn how to survive an intestinal epidemic, celebrate Easter, and make effective use of a visit without visual and auditory checks.
Bastian Reiber, Julia Schubert, Jonas Hien, David Simon, SebastianWinner at the Seriencamp Festival in Cologne and recipient of the Best Director Award in the International Panorama section at Series Mania in Lille,is the most original comedy of the year. Conceived, performed and brilliantly choreographed by the theatre collective Das Manko Gbr, the series tackles the world of work with a distinctly absurdist sensibility, somewhere between Charlie Chaplin’s Modern Times and Jacques Tati’s Playtime.
The Flaws are the typical employees of a German government office – quiet, obedient and spectacularly bad at their jobs. Protected by a compassionate boss, they are about to be fired when a group of consultants audits the department—until a lucky mix-up of events reroutes them to an advanced training program. Stranded on an autonomous bus, they embark on an absurd journey straight into professional disasters, including hospital mayhem, a mini-revolution on forklifts, and an ill-advised attempt to enter heaven.
Robin L’Houmeau, Zeneb Blanchet, Frédéric Millaire-Zouvi,tells the story of a heterosexual relationship through a narrative rich with queer sensibilities. From the very end of its first episode, the series begins to question the very concept of marriage itself. For this reason, the festival will exceptionally present two episodes. We meet Emma and Leo on their wedding day, convinced that, at 25, they know everything about love and commitment.
But can their relationship withstand the urge to challenge convention? Accompanied by the voice of Julia Roberts as narrator, the series is based on the novel of the same name by Irish writer and musician Rónán Hession.is a delicate coming-of-age story in adulthood, poised between grief, friendship and the discovery of love, seen through the disarming perspective of an outsider.
The role finds its ideal interpreter in Alex Lawther, already acclaimed for his unforgettable performance in theThe series follows two board-gaming friends in their thirties: Leonard, a ghostwriter of children’s encyclopedias, and Hungry Paul, a part-time postal worker living at home. As they drift through quiet suburban life, Leonard’s mother’s death, Hungry Paul’s sister’s wedding, and a new romance push them to face a world suddenly wider and full of unexpected possibilities.
The raw, rock-and-roll cry of Britain’s riot girls as they reach middle age has struck a chord with UK audiences, earninga swift BBC renewal for a second season. Still unreleased in Italy, we are honored to present in competition the new series by the acclaimed Sally Wainwright, winner of four BAFTA Awards and nominated eight more times, already celebrated for cult and queer landmarks such as.
Openly feminist in both tone and subject matter, Riot Women will be screened alongside Laura’s Treatment as part of a special evening dedicated to an “anti-patriarchal” perspective. Dive headfirst into the world of five women who, along with two spirited backup singers, come together to create an improvised punk-rock band to compete in a local contest.
As they write their first original song, they quickly discover that they have a lot to say – and this is their way of saying it. As they juggle demanding jobs, grown-up children, complicated parents, runaway husbands and disastrous dates, their band becomes the catalyst for change in their lives, leading them to question everything.
, stars Pilar Fogliati as a young woman caught between a mysterious inheritance, a notary burdened by a complicated past, and the glamorous backdrop of Milan. Blending the tones of romantic comedy with a story of personal emancipation, the series follows a journey of self-discovery, ambition, and unexpected love. Rachele is thirty years old and works on the editorial staff of a lifestyle magazine in Milan, although she has dreamed of becoming an investigative journalist since childhood.
When she is unexpectedly named the sole heir of an uncle she never knew, she is drawn into a web of family secrets and reunited with Manfredi, an attractive notary and former high school classmate. All of this happens just as her love life seems ready to take off with her colleague Alessio, the man she has always imagined as her ideal partner.
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