Jamila Wignot, director of the HBO documentary ‘Stax: Soulsville U.S.A.,’ discusses the label’s complex history and the “viciousness” of how it ended.
, and others, offers incredible first-person stories. At one point, Booker T. Jones sits at a piano and shows exactly how he stumbled on the chords that became the 1962 chart-topper “Green Onions.”
There’s this mythology of Stax that it was an interracial utopia for musicians in a segregated South. How did you walk into that established narrative?
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