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. The excursion, taken on the last day of his 10-day junket to the Palestine Festival of Literature, isn’t meant to elicit sympathy for the Jewish people or offer context about the founding of. Rather, it is a literary device used to accuse the Israelis of becoming the thing they most revile. You see the irony, of course. It’s like unfurling one of those Israeli flags with a swastika painted on it — but in swirling prose.may well be the most beautifully crafted blood libel ever published.
Coates admits to harboring a vague awareness of the “long history of alliances between Palestinian freedom fighters and the radical Black activists to whom I traced my own roots.” Still, he is “shocked” when a Palestinian writer quotes one of his books during a literary event. “I felt the warmth of solidarity, of ‘conquered peoples,’” intones the wealthy celebrity author.
Coates is too busy uncovering racism under every yarmulke. Jerusalem, contemptuously referred to as “The City of David,” reminds Coates of his earlier trip to “Columbia, South Carolina, and all 127 the monuments to the enslavers and advocates of Jim Crow.” “I don’t think I ever, in my life, felt the glare of racism burn stranger and more intense than in Israel,” Coates contends.
But this deceitful sleight of hand allows Coates to frame the “occupation” as the modern iteration of “chattel slavery.” QuotingThe proof comes in Israel’s militarized society. A “row of twenty-odd soldiers in brown fatigues, carrying guns the size of small children,” he noted, “they were almost children themselves — barely out of high school, by their appearance.” At Yad Vashem, Coates saw “guns being so flagrantly wielded in such a solemn place.
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