ComingSoon Editor-in-Chief Tyler Treese spoke to Jake Morrison, the VFX Supervisor on Thor: Love and Thunder, about Marvel's visuals.
Thor: Love and Thunderreleases on 4K, Blu-ray, and DVD on September 27“The fourth installment finds Thor on a journey unlike anything he’s ever faced — a quest for inner peace. But his retirement is interrupted by a galactic killer known as Gorr the God Butcher, who seeks the extinction of the gods,” says the film’s synopsis.
You mentioned having the final battle scoped out. So much goes into those, but what are some of the smaller elements in a film like Thor: Love and Thunder that wind up being difficult to nail that viewers wouldn’t really think about? With this, Taika was like, “I don’t want to see the same one again. I want to see big head gods, small gods. I want to see gods that are 18 feet tall. I want to see gods that are just made of eyeballs.” It was basically a challenge, he just was like “okay, you guys are going to come up with that.
Oh, it’s been lovely. The thing is, you see it on screen, and then you are also working with the same actors. I worked on the firstpicture, so I’ve worked with Chris [Hemsworth] and that gang, with Tom [Hiddleston] and those guys for years. So you grow up as people. It’s probably, I don’t know, if I say it’s 12 years or something since I started working on the first one, it could be true? Probably is. That’s an awful lot of life to share with this.
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