Director Joshua Oppenheimer breaks down the year’s wildest, most heartbreaking, and, it turns out, urgent musical: the Tilda Swinton-starring “The End.”
, Joshua Oppenheimer’s 2012 documentary about the 1965-1966 genocide in Indonesia, is one of this millennium’s true masterpieces, and its 2014 companion pieceis equally phenomenal. Thus, expectations have been sky-high for the director’s follow-up, which turns out to be not only a work of fiction, but an all-out musical., which hits theaters Dec.
Survivors of an eco-apocalypse that, it’s slowly revealed, was partly their fault, they’re an insulated clan whose confinement proves a reflection of their self-imposed imprisonment in an alternate reality of lies, deception, and propaganda—all of which is threatened by the unexpected arrival of Girl and director Joshua Oppenheimer pose to promote the film"The End" during the 72nd San Sebastian International Film Festival in the northern Spanish Basque city of San Sebastian on Sept.
, and I feel we have a different sensibility in the way we regard people. This is no value judgment; I’m not saying there’s anything greater or lesser.
Musical-Film Tilda-Swinton Dystopia
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