We Have to Talk About the Ending of Indiana Jones and the Dial of Destiny
movie, but I go back to the first paragraph of this article. Unexplainable, supernatural science fiction has always been a part of this series. And this time, unlike in, it’s once again driven by an actual historical item. If anything, my biggest problem personally with the ending is that so much of the perspective is from inside the plane and not on the ground. It makes what is obviously a very epic scene feel a little more contained.
But I knew it had me when I thought for a second that Helena was going to leave Indy there. This is the lastmovie, right? What better way to pay tribute to the famous archeologist than to literally make him an ancient artifact of the past? Of course, that would have subsequently screwed up a bunch of stuff—in movie time-travel fashion—so that doesn’t happen. But that I even thought for a second it was possible was really, really cool.
From there, as I mentioned, the fact that Indy is still unconscious when they get back to New York seems somehow almost more unbelievable than time travel, but I’ll allow it. And the final surprise of Marion returning, after a whole movie of Indy pining for her, was beautiful. Calling back their classicscene? Perfect. And yet, as cool as that final shot is of Indy not quite hanging up his hat...
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