'I Majored in Mouth': How Little Richard Invented the Rock Star

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'I Majored in Mouth': How Little Richard Invented the Rock Star
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With his “A-wop bop-a-loo-bop, a-lop bam boom” battle cry, the late singer-pianist embodied an irrepressible rebel spirit that inspired everyone from John Lennon to Jimi Hendrix

’ — I got that from Ruth Brown. I used to like the way she’d sing, ‘Mama-, he treats your daughter mean.’ I put it all together.” The first time he ever sang in front of people for spare change, it was a Sister Rosetta Tharpe song, “Strange Things Happening Every Day.” He devoted his life to being one of those strange things.

“Tutti Frutti” came together in New Orleans’ famous J&M Studio with producer Bumps Blackwell, along with a Crescent City all-star team: Earl Palmer on drums, Frank Fields on bass, Lee Allen on sax. It made Little Richard a star overnight. The same year he turned up in Don’t Knock the Rock . Getting famous overnight did not calm his built-for-speed personality. As he famously said in the Eighties, “If there was anything I loved better than a big penis it was a bigger penis.” He also did plenty of drugs over the years, tellingAt his peak of fame, he suddenly quit to enter the church, going to Bible college in Alabama and becoming a preacher, like his grandfather. He became a symbol of the eternal war between the gospel and the flesh. After 1958 he never reached the Top 10 again.

Little Richard embodied that uncrushably crazy rock & roll spirit, the sound of a kid who’s been told all his life that he’s nothing, erupting with the news that he is. That’s why “Rip It Up” and “Tutti Frutti,” and “The Girl Can’t Help It” still destroy. That’s why “a-wop bop-a-loo-bop” remains the ultimate scream of freedom.

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