Half Crown Media and Burns & Co. Entertainment are producing a film about Hudson Taylor, one of history's most influential missionaries, and his wife Maria. The story follows their journey from England to 19th century China during the Opium Wars, where they adopt local customs and face persecution while founding the China Inland Mission. The film, set to start shooting in Malaysia at the end of July, stars William Moseley as Hudson Taylor, Poppy Drayton as Maria, and Ludi Lin as their close friend Wang Laijun, alongside an international ensemble cast.
Sometimes, reality can make for as good or better stories than fiction. Film has helped elevate some of those stories to greater dramatic heights, from more personal, high-stakes stories like Christopher Nolan's Oppenheimer about the weight carried by the man behind the atomic bomb, to sweeping epics like Lawrence of Arabia, based on the life of T.E.
Lawrence. Often, the most inspiring of those tales are some of the best, showing what humanity is capable of when they strive to give back, do something no one else has, or work together to achieve the seemingly impossible. Half Crown Media and Burns & Co. Entertainment are now preparing a film that aims to live in the same realm, recounting the arduous efforts of a missionary in China during the height of the Opium Wars in the 19th century.
Hudson & Maria centers on Hudson Taylor, one of the most influential missionaries in history, and his wife, Maria, as they leave behind their English way of life to adopt Chinese customs, dress, language, and more in their journey to spread the word of God inland. The film will follow their work through every step of the way, alongside their close friend, Wang Laijun, facing no shortage of persecution as they aim to change hearts and minds.
By the end of it all, their story becomes the stuff of legends, ultimately leading to the founding of the China Inland Mission that helped establish Christianity in the country and opened its doors to a diverse group of worshippers and fellow workers following in Taylor's footsteps. Collider can exclusively confirm that filming will begin on the project in Malaysia at the end of July, and we can share the full cast for this tale of faith and perseverance.
Leading the way as the kindly and determined Taylor will be William Moseley, who remains best known for starring as Peter Pevensie across all three Chronicles of Narnia movies. Charmed's Poppy Drayton will star opposite him as Maria, depicting her as the real backbone behind the mission, without whom Taylor's efforts would've fallen short.
Rounding out the main trio as Wang is Ludi Lin, coming off of his recent return to the Mortal Kombat universe with Simon McQuoid's acclaimed sequel, where he again played the iconic Earthrealm hero Liu Kang. They're just a part of a massive international ensemble, also featuring Ted Lasso star Jeremy Swift and V for Vendetta alum Rupert Graves, alongside Tan Kheng Hua, Darren Lim, Jemma Donovan, Catriona Munro, Ben Van Lier, Wang Wei, Matt William Knowles, Kate Sullivan, Vanessa Yao, and Cedric Gegel.
COLLIDER. Collider · Quiz Collider Exclusive · Oscar Best Picture Quiz Which Oscar Best Picture Is Your Perfect Movie? Parasite · Everything Everywhere · Oppenheimer · Birdman · No Country Five Oscar Best Picture winners. Five completely different visions of what cinema can be — and what it can do to you.
One of them is the film that was made for the way your mind works. Ten questions will figure out which one. 🪜Parasite 🌀Everything Everywhere ☢️Oppenheimer 🐦Birdman 🪙No Country for Old Men FIND YOUR FILM → QUESTION 1 / 10TONE 01 What kind of film experience do you actually want? The best movies don't just entertain — they leave something behind.
ASomething that pulls the rug out — that makes me think I'm watching one kind of film and then reveals I'm watching another entirely. BSomething overwhelming — funny, sad, absurd, and genuinely moving, all at once. CSomething grand and weighty — a film that makes me feel the full scale of what I'm watching. DSomething formally daring — a film that pushes what cinema can even do.
ESomething lean and relentless — pure tension with no wasted frame. NEXT QUESTION → QUESTION 2 / 10THEME 02 Which idea grabs you most in a film? Great films are driven by a central obsession. What's yours?
AClass, inequality, and what people are willing to do when desperation meets opportunity. BIdentity, family, and the chaos of trying to hold your life together when everything is falling apart. CGenius, moral responsibility, and the catastrophic weight of a decision you can never take back. DEgo, legacy, and the terror of becoming irrelevant while you're still alive to watch it happen.
EEvil, chance, and whether moral order actually exists or if we just tell ourselves it does. NEXT QUESTION → QUESTION 3 / 10STRUCTURE 03 How do you like your story told? Form is content. The way a story is shaped changes what it means.
AGenre-twisting — I want it to start in one lane and migrate into something completely different. BMaximalist and genre-blending — comedy, action, drama, sci-fi, all in one ride. CEpic and non-linear — cutting between timelines, building a mosaic of cause and consequence. DA single unbroken flow — I want to feel like I'm living it in real time, no cuts to safety.
ESpare and precise — every scene doing exactly what it needs to do and nothing more. NEXT QUESTION → QUESTION 4 / 10VILLAIN 04 What makes a truly great antagonist? The opposition defines the protagonist. What kind of opposition fascinates you?
AA system — invisible, structural, and almost impossible to fight because it has no single face. BThe self — the ways we sabotage, abandon, and fail the people we love most. CHistory — the unstoppable momentum of events that no single person can stop or redirect. DThe industry — the machinery of culture that chews up talent and spits out irrelevance.
EPure, implacable evil — a force so certain of itself it becomes almost philosophical. NEXT QUESTION → QUESTION 5 / 10ENDING 05 What do you want from a film's ending? The final note is the one that lingers. What do you want it to sound like?
AShock and inevitability — a conclusion that recontextualises everything that came before it. BEarned emotion — I want to cry, laugh, and feel genuinely hopeful, even if the world is a mess. CDevastation and grandeur — an ending that makes me sit in silence for a few minutes after. DAmbiguity — something that leaves enough open that I'm still thinking about it days later.
EBleakness — an honest refusal to pretend the world is tidier than it actually is. NEXT QUESTION → QUESTION 6 / 10WORLD 06 Which setting pulls you in most? Where a film takes place shapes everything — mood, stakes, what's even possible. AA gleaming modern city with a hidden underside — beauty masking rot, wealth masking desperation.
BA collapsing suburban life that opens onto something infinite — the multiverse of a single ordinary person. CThe corridors of power and science at a world-historical turning point — where decisions echo for decades. DThe grimy, alive chaos of New York and Hollywood — fame as both destination and trap. EVast, indifferent landscape — desert and highway where violence arrives without warning or reason.
NEXT QUESTION → QUESTION 7 / 10CRAFT 07 What cinematic craft impresses you most? Every great film has a signature — a technical or artistic element that makes it unmistakable. AProduction design and mise-en-scène — every frame composed to carry meaning beneath the surface. BEditing and tonal control — the ability to move between registers without losing the audience.
CScore and sound design — music that becomes inseparable from the dread and awe of what you're watching. DCinematography as performance — the camera not recording events but participating in them. ESilence and restraint — what's left unsaid and unshown doing more work than any dialogue could.
NEXT QUESTION → QUESTION 8 / 10PROTAGONIST 08 What kind of main character do you root for? The protagonist is the lens. Who you choose to follow says something about you. ASomeone smart and resourceful who makes increasingly dangerous decisions under pressure.
BSomeone overwhelmed and ordinary who turns out to be capable of something extraordinary. CA brilliant, tortured figure whose gifts and flaws are inseparable from each other. DA self-destructive artist whose ego is both their superpower and their undoing. EA quiet, principled person trying to make sense of a world that has stopped making sense.
NEXT QUESTION → QUESTION 9 / 10PACE 09 How do you feel about a film that takes its time? Pace is a choice. Some films sprint; others let tension accumulate slowly, deliberately. AI love a slow build when I know the payoff is going to be seismic — patience for a devastating reveal.
BGive me relentless momentum — I want to feel breathless and emotionally spent by the end. CEpic runtime doesn't scare me — if the material demands three hours, give me three hours. DI want it to feel propulsive even when nothing is technically happening — restless energy throughout. EDeliberate and unhurried — I want dread to accumulate in the spaces between the action.
NEXT QUESTION → QUESTION 10 / 10AFTERMATH 10 What do you want to feel walking out of the cinema? The best films leave a mark. What kind of mark do you want? AUnsettled — like I've just seen something I can't fully explain but can't stop thinking about.
BMoved and energised — like the film reminded me what actually matters and gave me something to hold onto. CHumbled — like I've been in the presence of something genuinely important and overwhelming. DExhilarated — like I've just seen cinema doing something it's never quite done before. EHaunted — like a cold, quiet dread that stays with me for days.
REVEAL MY FILM → The Academy Has Decided Your Perfect Film Is… Your answers have pointed to one Oscar Best Picture winner above all others. This is the film that was made for the way your mind works. BEST PICTURE 2020 Parasite You are drawn to films that operate on multiple levels simultaneously — that begin in one genre and quietly, brilliantly migrate into another.
Bong Joon-ho's Parasite is a film about class, desire, and the architecture of inequality that manages to be darkly funny, deeply suspenseful, and genuinely shocking across a single extraordinary running time. Your instinct is for cinema that hides its true intentions until the moment it's ready to reveal them. Parasite is exactly that — a film that rewards close attention and punishes assumptions, right up to its devastating final image.
BEST PICTURE 2023 Everything Everywhere All at Once You want it all — and this film gives you all of it. The Daniels' Everything Everywhere All at Once is one of the most maximalist films ever made: action comedy, multiverse sci-fi, family drama, existential crisis, and a genuinely earned emotional core that sneaks up on you amid the chaos. You are someone who responds to ambition, who doesn't want cinema to choose between being entertaining and being meaningful.
This film refuses that choice entirely. It is overwhelming by design, and its overwhelming nature is precisely the point — because the feeling of being crushed by infinite possibility is exactly what it's about. BEST PICTURE 2024 Oppenheimer You are drawn to cinema on a grand scale — films that understand history not as a backdrop but as a force, and that place their characters inside that force and watch what happens.
Christopher Nolan's Oppenheimer is a film about the terrifying gap between what we can do and what we should do, told with the full weight of one of the most consequential moments in human history behind it. You want your films to feel important without feeling self-important — to earn their ambition through sheer craft and the gravity of their subject. Oppenheimer does exactly that. It is enormous, complicated, and refuses easy comfort.
BEST PICTURE 2015 Birdman You are drawn to films that foreground their own construction — that make the how of the filmmaking part of the what it's about. Alejandro González Iñárritu's Birdman, shot to appear as a single continuous take, is cinema examining itself through the cracked mirror of a fading actor's ego. You respond to formal daring, to the feeling that a film is doing something that probably shouldn't be possible.
Michael Keaton's performance and Emmanuel Lubezki's restless camera create something genuinely unlike anything else — a film that is simultaneously about creativity, relevance, self-destruction, and the impossibility of ever truly knowing if your work means anything at all. BEST PICTURE 2008 No Country for Old Men You are drawn to cinema that trusts silence, that refuses to explain itself, and that treats dread as a form of meaning.
The Coen Brothers' No Country for Old Men is a film about the arrival of a new kind of evil — implacable, arbitrary, and utterly indifferent to the moral frameworks we use to make sense of the world. It is one of the most formally controlled films ever made, and its controlled restraint is what makes it so terrifying. You want your films to haunt you, not comfort you. You are not interested in resolution if resolution would be dishonest.
No Country for Old Men is honest in a way that most cinema never dares to be. ↻ RETAKE THE QUIZ Who Is Behind 'Hudson & Maria'? Close Writer-director Matt Mikalatos will reunite with Burns & Co. to helm Hudson & Maria. Before the biopic, he penned the family adventure flick Legacy Peak, which the company previously backed in 2022.
His latest will be the next big biographical feature from the company, which has the star-studded Jimmy Stewart film Jimmy coming this November with KJ Apa starring. In an official statement, Mikalatos celebrated the film's diverse cast as a representation of the Taylors' strive for inclusion in faith.
"I'm so thankful for the incredible cast who have come together from across many cultures and nations to tell this story. Hudson and Maria would be pleased to see such a diverse group of talented people representing them on screen.
" Drayton also shared her own statement, expressing her excitement to play a figure as strong as she was caring. "I could not be more excited to play Maria in Hudson & Maria," she added. "It is an honour to be part of Matt’s masterful vision and bring to life a woman who contained such unwavering compassion, resilience and courage. I am eager to tell her story with the depth and justice it deserves.
" Producers for the film include Aaron Burns, Jack McClintock, and David Cook, while Jamie Taylor III and Angela Galgani Sullivan serve as executive producers. Hudson & Maria begins production in Malaysia this summer. Check out the film's official website to learn more and get further updates as work continues.
Please follow us on Google to support usHudson Taylor Missionary China Inland Mission Opium Wars Film Adaptation
United States Latest News, United States Headlines
Similar News: You can also read news stories similar to this one that we have collected from other news sources.
Wayne Rooney Rows Hudson River After Norway's World Cup SurpriseWayne Rooney fulfilled a promise to row down the Hudson River after Norway's unexpected run to the 2026 World Cup quarter-finals, led by Erling Haaland.
Read more »
Jennifer Hudson Stuns World Cup Final Crowd with Powerful US National Anthem PerformanceSinger Jennifer Hudson delivered a rousing rendition of the Star-Spangled Banner at the World Cup final in MetLife Stadium, winning widespread praise for her emotional performance despite the US team's earlier elimination.
Read more »
Jennifer Hudson's Emotional World Cup Final Performance Sparks Anger Over US Team's ExitJennifer Hudson's powerful rendition of the American national anthem at the World Cup final sparked both praise and anger from fans, with some questioning why the anthem was performed given the US team's early exit from the tournament.
Read more »
Jennifer Hudson's World Cup Final Anthem Performance Draws Praise and ControversyJennifer Hudson performed the U.S. national anthem at the World Cup final despite America's early elimination, sparking debate over the decision while her vocals earned widespread acclaim.
Read more »