Martha Wells created one of the most iconic characters in 21st-century science fiction: Murderbot, reluctant savior of humanity. Then she faced an existential threat of her own.
Hearing a name like that, you’d be forgiven for running for your life. But the thing about Murderbot—the thing that makes it one of the most beloved, iconic characters in modern-day science fiction—is just that: It’s not what it seems. For all its hugeness and energy-weaponized body armor, Murderbot is a softie. It’s socially awkward and appreciates sarcasm. Not only does it detest murdering, it wants to save human lives, and often does .
Wilson brings out a tray of tea and homemade shortbread—the Hobbiton vibe here is unreal. Another cat, a Siamese named Tasha, reclines on a throw pillow next to Wells. The cat is staring at me. So is Wells, I realize. We’re all observing each other. A line from Murderbot comes to mind: “I’m awkward with actual humans … Keeping the armor on all the time cuts down on unnecessary interactions.” At the time Wells decided to recommit to writing, in 2010, she had a novel she was struggling to sell.
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