How ‘Life Below Zero’ Crew Crafts Emmy-Worthy Series In Unimaginably Extreme Conditions

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How ‘Life Below Zero’ Crew Crafts Emmy-Worthy Series In Unimaginably Extreme Conditions
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To understand the intensity of work on Life Below Zero, one need only hear cinematographer Michael Cheeseman’s story from four days ago. Traveling to Alaska’s Kavik River Camp with its owner, Sue A…

, one need only hear cinematographer Michael Cheeseman’s story from four days ago. Traveling to Alaska’s Kavik River Camp with its owner, Sue Aikens—one of the National Geographic series’ documentary subjects—the DP experienced one of the most wild 24-hour periods imaginable.

Nominated for three Emmys this year, including Outstanding Cinematography for a Reality Program, Outstanding Picture Editing For an Unstructured Reality Program, and Outstanding Unstructured Reality Program,depicts the everyday struggles of those living off the grid in remote areas of Alaska, the largest of 50 states.Life Below Zero

While Cheeseman frequently films in -20 degree weather, with 20 miles-per-hour windchill, editor Jenny Nelson is faced with a whole other set of challenges on the series. With one to three editors working on each episode, and only five to seven weeks to turn each episode around, Nelson typically wades through “100 to 120 hours of footage,” before arriving at a 47-minute piece. “We have a lot of people in that process that help out. It’s not just the people up here,” Nelson said on the panel.

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