It was the swaggering black-and-white drama that exposed the cracks in an unequal France. Twenty-five years later, its director Mathieu Kassovitz wonders what has changed
Even the wrong question points to the truth. When, in June 1995, Paris’s eastern suburb of Noisy-le-Grand began rioting after the death of a 21-year-old French-Arab in a police chase, politicians and the media asked if a film released the previous week, La Haine, had sparked the mayhem.
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