Production designer Jack Fisk is known for resurrecting the ghosts of America past. “Killers of the Flower Moon” called on him to exorcise its demons too.
Jack Fisk had an audacious request. The production designer behind “The Revenant” and “There Will Be Blood,” whose collaborations with Terrence Malick, Paul Thomas Anderson and David Lynch have made him the stuff of industry legend, was about to recreate a crime scene. Fisk was on location in Oklahoma preparing for “Killers of the Flower Moon,” the latest film by Martin Scorsese, a retelling of the Osage murders in which an Indigenous nation in the 1920s was targeted for its oil wealth.
They’re good in 360 degrees … It’s unlike how a lot of films are done,” said Fisk. “It’s harder for the carpenters, because usually the time that we’re building is either freezing cold or blistering hot or raining or something, but it’s worth it.” That rigor and flexibility was what Scorsese needed. Fisk entered “Killers” four years into pre-production and began poring over research belonging to Grann and executive producer Marianne Bowers .
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