How ‘Freestyle Love Supreme’ Brought Beatboxing and Rap to Broadway

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How ‘Freestyle Love Supreme’ Brought Beatboxing and Rap to Broadway
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An improv hip-hop musical that’s pure joy

FreestyleAfter years of touring and one-off performances, much of the crew remains the same, along with the addition of two women, all of whom have their own handles: Chris Sullivan , Andrew Bancroft , Utkarsh Ambudkar , Aneesa Folds , and Kaily Mullady . They’re backed up by the multi-talented keyboardists Arthur Lewis and Ian Weinberger.

As the MC, Veneziale functions as the “cog” between the audience and the rest of the rotating cast of core members. He starts by letting everyone “see all the strings,” explaining how it will function, with the first sequences designed to let people participate at a slower pace — about 80 BPMs — before it ramps up. “People still don’t believe all this is being made up on the spot,” he says. “Afterward, I’ll still have people ask which parts were improvised and which were scripted.

“Because even now I’m still learning things about the guys — every single time that we do it,” he explains. “You basically have 15 seconds to build a narrative around a word or phrase. And suddenly I’m having a memory of something that happened from my childhood that I had thought about in 25 years and I’m always learning about the others’ journeys, even after knowing some of them for so long.”

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