How Billie Eilish Is Reinventing Pop Stardom

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How Billie Eilish Is Reinventing Pop Stardom
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.billieeilish is our March cover star! For this issue, Vogue commissioned 3 unique covers—all starring billieeilish—from 3 different photographers. Read the full profile:

ON A COLD DECEMBER MORNING, Eilish is at home in the two-bedroom house she grew up in and still shares with her parents in Highland Park, an East Los Angeles neighborhood where gentrification seems to have stopped short of this particular block. If you have been following her ascent, then you probably already know that this is where Eilish prefers to do her interviews.

Eilish has no squad like Taylor Swift, no Tiffany rings like Ariana Grande, no va-va-voom curves like Katy Perry. Last month, when she became the first woman in history to take home all four big prizes at the Grammys, she came dressed for a rave while most everyone else had dressed for a prom.

Eilish had enormous amounts of energy, which her parents sought to dissipate through dance class, gymnastics, and horseback riding. There were countless activities, and Eilish had scores of friends. But because the O’Connells had little money, her parents would barter their time: Patrick did handiwork in the gymnastics center, Maggie taught Music Together class, and Billie brushed and bridled horses at the San Pascual Stables in South Pasadena.

For her part, Maggie has rarely taken the necromancy of Eilish’s songwriting as an urgent expression of suffering, though there are exceptions. “Listen Before I Go,” off last year’s album, alarmed her: “If you need me, wanna see me, you better hurry, I’m leaving soon,” Eilish sings. “I needed to understand that this was essentially creative writing,” her mother explains. “Parenting a teenager can be harder than parenting a toddler. You have to be there at 2 a.m.

Eilish and O’Connell’s relatively simple musical formula—setting off her airy vocals against spare, spacey beats—suits their preference for writing, recording, and editing their music at home. “We don’t like studios,” she says. “I hate not seeing daylight. I hate that they smell weird. I hate recording booths. I hate being far away and singing alone in a room. In the beginning, all we would hear was, ‘Let’s put you in the studio with this person and that person.

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