Female characters are front and center in the GameofThrones prequel HouseoftheDragon, allowing them enough agency to be dynamic and angry as hell.
HBO’s flashy House of the Dragon is four episodes in, but fans are already hooked on the politics and drama in King’s Landing. Following a disastrous ending to what was arguably the best television show of the new millennium, the world of Ice and Fire had a steep climb uphill to recover the audience’s trust. Game of Thrones broke our collective hearts, so why should we trust this franchise again? Still, George R. R.
The Queen’s justice The “angry woman” trope is particularly problematic. Film and television portray her as prone to overreacting and making a scene; she’s scandalous and impertinent, lacking self-control and decorum. The angry woman contrasts with the story’s classic heroine by violating everyone else’s tranquility. Her anger is treated as either silly and meaningless or scary and invasive; there are no middle lines. The angry woman is hysteria personified.
Call me mother In the world of Ice and Fire, female rage is all about mothers. The story’s most prominent female figures are mothers willing to sacrifice everything and everyone to protect their children. Their actions are questionable, often causing significant problems for the children they’re desperately trying to shield from the world’s cruelties.
Then there’s Daenerys Targaryen, first of her name, Queen of the Andals and the First Men, protector of the Seven Kingdoms, the Khaleesi of the Great Grass Sea, the unburnt, the breaker of chains. Above all else, she is the mother of dragons. Daenerys is the ultimate maternal figure in Game of Thrones. The freed slaves in the free cities of Essos call her mhysa, the High Valyrian word for “mother.
The Dance has several other key female figures. Rhaenys, the Queen Who Never Was; Mysaria, the Mistress of Whisperers; Alys Rivers, the Witch Queen of Harrenhal; and Nettles, the dragonseed, are among the war’s most interesting and important characters. Even the most passive characters, including the tragic Helaena Targaryen, are layered and dynamic, compelling to the end.
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