A helicopter carrying singer Oliver Tree and other passengers collided with another aircraft in Brazil, resulting in six fatalities. The incident has prompted investigations into flight safety and raised concerns about air travel regulations in the region.
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The future of a beloved dog statue on a New York warehouse is up in the airWhat to know about alpha-gal syndrome, the life-threatening meat allergy caused by tick bitesA photo captures a wall of wild horses surging through western GermanyOB-GYN group makes vaccine recommendations for the first timeToo sick to work, but can they prove it?
New Medicaid rule worries patientsAnthropic pledges $200 million to research AI's economic impact as CEO suggests job loss solutionsHow to grill vegetables and toss them in Isaac Toups’ bacon vinaigretteAs UFOs go mainstream, the jury is out on what the existence of alien life might mean for religionAP estuvo allí: La cumbre de 1975 en un castillo francés que sembró la semilla del futuro G7This image released by Peacock shows Haley Lu Richardson, left, and Emilia Clarke in a scene from “Ponies. ” This image released by Peacock shows Emilia Clarke, left, and Haley Lu Richardson in a scene from “Ponies.
” Susanna Fogel, left, and David Iserson attend the Peacock series premiere of “Ponies” in New York on Jan. 14, 2026. This image released by Peacock shows Haley Lu Richardson, left, and Emilia Clarke in a scene from “Ponies. ” This image released by Peacock shows Haley Lu Richardson, left, and Emilia Clarke in a scene from “Ponies.
” This image released by Peacock shows Emilia Clarke, left, and Haley Lu Richardson in a scene from “Ponies. ” This image released by Peacock shows Emilia Clarke, left, and Haley Lu Richardson in a scene from “Ponies. ” Susanna Fogel, left, and David Iserson attend the Peacock series premiere of “Ponies” in New York on Jan. 14, 2026.
Susanna Fogel, left, and David Iserson attend the Peacock series premiere of “Ponies” in New York on Jan. 14, 2026. as widows of CIA operatives who become intelligence assets in the 1970s Soviet Union has real stakes, and real blood. But its tone is comic first and foremost.
And it has been submitted for the forthcomingThe tone-mashing comes naturally to its showrunners, Susanna Fogel and David Iserson, a couple of veterans of film and TV writing.
“Ponies” — intelligence-speak for “persons of no interest” — is the first show they have worked on that they created. “We understand that we’re not a pure comedy and we’re not a pure drama, which is nothing that we wanted, and we were happy with that. But it was always also part of the calculus that when our characters are in peril, we should feel like they could die,” Iserson told The Associated Press in a joint interview with Fogel.
“These characters are experiencing grief. These characters are experiencing peril and also they’re funny people, and that is just the way that we both see the world. ”Their two stars have youthful vibes but mature acting skills and they seamlessly handle the show’s swerves. Clarke’s character, Bea, begins as an innocent in a dangerous world the same way her Daenerys Targaryen began on “Game of Thrones.
” Richardson’s Twila starts as the same sort of worldly, savvy character she has played on “The White Lotus” and elsewhere.
“We wanted to give these actresses something new that they hadn’t done, but that didn’t feel like they were fighting some essential part of who they were,” Fogel said. Separately, Fogel was a writer on the 2019 film “Booksmart” and the HBO series “The Flight Attendant. ” Iserson has written for series including “Mad Men” and “Mr. Robot.
” Together, their work includes the 2018 film “The Spy Who Dumped Me,” which stars Mila Kunis and Kate McKinnon as women thrust into espionage. In retrospect, it feels like a dress rehearsal for “Ponies. ” “That was more on the comedic side of the spectrum for both of us and we were more excited to do something that was more grounded but had the same friendship story to it,” Iserson said.
“So we took the things we loved about that experience and then used some of our other skills to make something that felt a little bit more in the dramedy sphere. ” The show felt grounded enough to some viewers that if you Google it, a question that pops up on search: “Is the TV series Ponies a true story? ” “I think good comedy is like a high-wire act.
In a way it feels like a high-risk, high-reward thing to be able to do anything that’s doing that,” Fogel said.
“I’m not sure how you can stand out with things that are just 100% serious. ” The half-hour comedy vs. hourlong drama split, which the overwhelming majority of historic TV series follow, really seems to matter where Emmys are concerned.has been able to pass as a comedy and dominate those categories at the Emmys, to the chagrin of some makers of more purely funny stuff. Though the hourlong comedy isn’t unheard of and the Emmys have recognized that before.
“Ally McBeal” would get an annual raft of nominations in the late 1990s and once won best comedy series. “The Marvelous Mrs. Maisel” did the same in the 2010s. Many of the Emmys’ technical and craft awards, including cinematography and sound, are broken into half-hour and hour categories instead of comedy and drama. HBO’s latest “Game of Thrones” spinoff, is the flip side of “Ponies,” since it’s a drama with episodes that land at just over 30 minutes.
“Look at all your favorite dramas of all time, like ‘The Sopranos’ and even like, ‘The Wire,’ how funny those were,” Parker said. “I actually think the difference should be 30 minutes and an hour versus comedy and drama. ”Dalton covers entertainment for The Associated Press, with an emphasis on crime, courts and obituaries. He has worked for the AP for 20 years and is based in Los Angeles.
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