Helen Mirren went to cowboy camp to prepare for her role in ‘1923,’ despite being a self-proclaimed “city girl.” “When the camera's rolling you, you find yourself being able to do all kinds of things,” she tells VF.
How did you and Harrison build up that relationship since your characters have to be so deeply connected?], and I'd loved working with him a long time ago, but we were very different people then. A lot has happened to both of us since those days, but I just felt utterly at ease with him. I didn't have any real reason to because, you know, he's “Harrison Fucking Ford.
I hear that a lot of Harrison Ford, but I also imagine people feel that way about being in a scene with “Helen Fucking Mirren” sometimes. How do you welcome in young actors who may be working with you and feeling nervous? I try to be as totally normal and professional as I can be. I think it helps because I'm so admiring of the young actors that I work with, especially on. I watch them and I learn from them, and I can't wait to play a scene with them. I don't know. I love being on the set with them. I enjoy their company. I laugh, I make jokes. I tried to make the set as exciting and as open and as free and as accepting a space as it can possibly be. Because I know that’s what I welcome as an actor.
The show has already been renewed for a second season, but now we’re in a writers strike. Where are you in the process for season two? Taylor being the extraordinary powerhouse that he is of writing, it's almost as if he writes in his sleep or something. But I have to say, when the scripts arrive, they are perfect. You don't want to change a word. You don't. No scene is too long. No scene is too short. They're beautifully constructed. I wouldn't be at all surprised if he'd already written some before the strike. If he has, then we can start work.
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