'From every angle, the archaeologist’s big-screen finale comes across as a computer-crafted approximation of the genuine article—a construction that’s fundamentally at odds with the film’s guiding celebration of the past.' IndianaJones
You can’t go home again, but don’t tell that to, which gives 80-year-old Harrison Ford his trusty fedora and whip and sends his famed archaeologist on one last international artifact-hunting adventure.
There’s a persistent focus on time, and age, be it gray-haired Indy banging on his young hippie neighbors’ door to complain about the noise , or Helena making cracks about his creakiness.
Unfortunately, what was once tactile and vigorous is now rendered insubstantial and flat by an incessant reliance on computerization.’s opening gimmick is convincing for a few initial close-ups, and then devolves into uncanny valley artificiality; thirtysomething Ford is an impressive feat of techno-wizardry that nonetheless isn’t up to par.
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