Gus Van Sant has spent the last 30 years crafting one of the most beguiling filmographies of any American auteur.
. His chameleonic cinematic output has featured street hustlers, school shooters, rock stars, drug addicts and skateboarders, he’s searched for, found and explored the drama of youth, the dreams of outsiders, the power of the chosen family. But across the years Gus has also been a prolific photographer. His bookis a tender document of 15 years of casting calls, a chronicle of those he’s met and worked with.
So many of your films are about the ideas of youth, families, outsiders – what keeps you coming back to these stories? I think they are reflections of how I see myself, so I come back to them because it’s the things that I am relating to.— was about a quadriplegic cartoonist. What drew you to this story?
Originally I was asked to make a film about John Callahan, and the project had been in development for 20 years. Finally I found a way to do it, but it was a “job” at first.He’s not really an actor, but sometimes I see people that have a kind of peaceful thing about them that I like, and right now that person would be Jimin from BTS.
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