On July 3, GQ.com rolled out a hot-take story titled “How Warner Bros. Discovery CEO David Zaslav Became Public Enemy Number One in Hollywood.” The piece, which was written by freelance film critic…
Became Public Enemy Number One in Hollywood.” The piece, which was written by freelance film critic Jason Bailey and slammed Zaslav as a Logan Roy-esque mogul, quickly disappeared from GQ’s website, while a new, more friendly version popped up with a separate URL. That version, too, vanished not long after, leaving readers puzzled.
GQ editor-in-chief Will Welch is producing a movie at Warner Bros. titled “The Great Chinese Art Heist,” which is based on a 2018 GQ article by Alex W. Palmer. Jon M. Chu is attached to direct and produce the film, which chronicles an audacious European museum crime wave that targeted Chinese antiquities. The projectin place by Ken Cheng, Jessica Gao and Jimmy O. Yang.
Still, removing an entire story from a news outlet’s website would constitute an extreme action and is almost never done, except in the most egregious cases of journalistic malpractice. Even then, an editor’s note would typically appear when readers clicked on an excised story with an explanation of why it was killed.
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