GLOW costume designer Beth Morgan on creating bridesmaids leotards and borrowing a Bob Mackie original
.” Morgan is up for the second season finale “Every Potato Has a Receipt,” in which she got the chance to create a full set of bridesmaids leotards for a special stunt in the 1980s wrestling comedy. But not to be outdone, she worked hard to top herself in Season 3, when the characters went on the road to Vegas.
The Zoya costume gets the most beat up because I was insistent that she had the belt. A lot of things about “” and the ’80s is about the silhouette and it being simple, so a lot of them are very simple leotards — especially in the ring because you have to make sure they can be safe. Everyone except Zoya wears Capezios.
Something really big and new in the second season was in the finale episode, for which you are nominated, when you made bridesmaids leotards and a wedding dress. I was adamant I wanted the ruffles to be off the shoulder for the ceremony, but then they would pull them up when they go to the Battle Royale. But the functionality of building a garment that’s off the shoulders is very different than on the shoulders because of the fit.
Going back to the philosophy of reusing certain looks, how did those bridesmaids’ leotards end up in Season 3?
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