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Over its eight seasons, Game of Thrones had a lot of episodes that hit hard. “The Rains of Castamere” will forever go down as the biggest surprise for non-book readers, while watching Viserion get turned into a tool for the Night King in Season 7’s “Beyond the Wall” stabbed us in the heart just as much. But if there’s one thing the series did almost perfectly, it was the season finales. Perhaps the biggest one of all, aside from the series finale, was Season 6’s “The Winds of Winter”.
Making a visit to Collider’s Ladies Night with Perri Nemiroff, to chat about her upcoming psychological thriller, The Wasp, Dormer says that, while her character had a traumatic death, she felt “vindicated” by the time the credits rolled. “I was frustrated that she went that way, but then she was frustrated in the scene . And I was once told by a much older actor, ‘Don’t get confused. If you’re feeling something, always check yourself that it’s not just that your character is feeling it, and, via osmosis, it’s seeping into you.’ Because if you play something, your body doesn’t know any different , and if you’re playing something repetitively, as you obviously have to do on a shoot, sometimes that emotion can seep into you.
“So, of course, she deserved better . I wanted more for her, but she’s so frustrated in that moment with the Sparrow, with Jonathan , and so that’s part of it. That’s how you know you’re doing it right, because you’re like, ‘I just need someone to listen to me a little bit more.’ She was vindicated in the end. It’s just a couple of sentences, but it’s all that needed to be said. She was vindicated, and I felt like I could let her go in that moment because I was like, ‘“She said it, man.
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