The cast of From, led by Harold Perrineau, looking at the empty swimming pool
The MGM+ show From has seen its fair share of tragedies and horrors, but in Season 3, it's been unrelenting since the first episode. This week, however, there was a shift in the town that felt different, and not in a good way. Episode 5,"The Light of Day," written by John Griffin and Brigitte Hales and directed by Alexandra La Roche, comes on the heels of a horrific attack at the end of Episode 4.
✕ Remove Ads While Boyd's new theory is physically terrifying, another theory is floated by Julie that touches on the psychological torture perpetrated by the monsters this season. While avoiding the town meeting and sharing a joint with Elgin , Julie confesses that she does not think her mom being able to escape the town is a good thing. She believes that the monsters let Tabitha out only to pull her back in. As she puts it, "the best way for us to suffer is to give us hope.
✕ Remove Ads Things only escalate when Tabitha arrives at the diner and is insensitively peppered with questions that she can barely answer. She's criticized for not doing enough to save them, which forces Boyd to step in to infuse some hope back into the room, but the town isn't having it. His leadership is questioned and, to his surprise, Fatima and Ellis add fuel to the already dangerous fire.
The Final Moments of 'From' Season 3 Episode 5 Are Gruesome In one of the best scenes in the episode, Boyd and Ellis go head-to-head after the meeting. Boyd is angry and scared while Ellis is buzzing with naive hope. Both emotions are understandable, but when Ellis insinuates that Boyd is just sitting around and waiting for something to happen, he loses it. He tells Ellis to pick who is worth sacrificing, which is clearly a sobering moment for his son.
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‘FROM’ Season 3, Episode 5 Review: The Worst Town Meeting EverErik Kain is a writer and critic covering TV shows, movies, video games and books primarily in the 'genre' category including fantasy, science-fiction, mysteries, thrillers, post-apocalytpic stories and more. He was a 2014 Shorty Award finalist. His work has appeared in The Atlantic, Mother Jones and The National Review.
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