Francis Ford Coppola, Adam Driver, Aubrey Plaza and Nathalie Emmanuel
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Much talk has surrounded the film, with Coppola’s decision to self-finance to the tune of $120 million, and the film’s current lack of U.S. distribution deal. Mixed, but mostly positive-leaning reviews have emerged from the film’s festival debut, but they also came on the heels of much gossip. Coppola said that given the experience of meeting many roadblocks throughout his career, he had “tried not to adhere to the rules, and tried to live by my own rules.”
“Whenever I saw it, it was the same aspect ratio,” Driver continued, “so, I was really moved by it in ways that I hadn’t been before, which I think is a testament to the movies that Francis makes. He’s very principled in making scenes and dialogue and have characters show and not tell. And that’s why his movies, in part, why they have longevity, because there’s always something to discover about them. And with this one too, I was moved in times that I hadn’t been before.
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