Another dystopian world, another moral dilemma about artificial intelligence, another pairing of extremely talented stars. And yet, it’s a snooze
who’s played everything from queens to killing machines. You’ve paired her with a performer who is arguably the hottest, most in-demand) was one of the more intriguing page-to-screen adaptations in years. He co-wrote the screenplay with the director, whose previous work on suggests he knows how to helm left-of-center journeys both accessible and moving.
In other words, what you’ve got here is something that should be, by most metrics, what the kids call one humdinger of a motion picture. A real go-for-broke, food-for-thought, edge-of-your-seat kind of deal. The sort of high-pedigree prestige project designed to delight Oscar prognosticators and genre nerds alike.
You can’t blame the stars, who seem to be coloring in their sometimes cryptic characters as much as they can, and fleshing out the central relationship and love triangle in a way that adds a human element to the hot-button issues being tossed around. Henrietta . Their farm isn’t much to speak of, since in the year of our lord 2065, our once fertile big blue marble has become a desolate wasteland. Still, it’s home, at least for now.
Neither Joshua nor Hen are exactly thrilled about him being gone from home — and their home planet — for years. But not to worry, says Aaron. The powers that be have “a duty of care to those left behind.” Translation: They’ve developed “simulants” as lifelike as you can imagine. These more-human-than-human bots can be customized to resemble a loved one, right down to the scars they’ve had since childhood, and can be programmed to match the exact personality of an absent spouse.
You may remember us mentioning a “love triangle” earlier, and while there’s definitely one percolating ever so gently, it’s not the one you think. And it’s through that prism that the movie begins to reveal what it’s really about, in terms of tackling some thornier, more philosophical issues.
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