Florence Pugh and Andrew Garfield on living through 'We Live in Time'

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Florence Pugh and Andrew Garfield on living through 'We Live in Time'
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“We Live in Time,” directed by John Crowley ( “Brooklyn,” “The Goldfinch”) and penned by playwright Nick Payne, is the kind of movie that provokes an emotional response, including for its two stars.

Florence Pugh, left, and Andrew Garfield pose for a portrait to promote the film "We Live in Time" on Tuesday, Sept. 10, 2024, in New York. TORONTO — In “We Live in Time,” Florence Pugh and Andrew Garfield act an entire life of a relationship — a gamut of dating, falling in love, having a child and reckoning with cancer. So when Garfield recently went on a six-day retreat in the woods without his phone, one of his first texts was to his co-star.

It was enough to go through together as actors that Pugh and Garfield, when they spoke the morning of the film’s premiere at the “They’re two very beautiful creatures to look at, and have looked fantastically beautiful on screen — and do look very beautiful in this, by the way, just not in a glammed-up, aspirational fashion,” says Crowley. “They’re also both British actors who have made significant inroads in American cinema, and to some eyes, people might only know them from that. To have them speak in their own accents allowed those roles to fall back much closer to them.

“You can’t predict it. I knew Florence was a magnificent actor. But that’s all I knew. I didn’t know whether we’d work together well. Neither of us did,” Garfield says. “But for me, honestly, it exceeded my expectations. It’s an incomparable thing. There’s no way of comparing my experience with Florence with any other experience I’ve had.

In some ways, Garfield and Pugh were living alongside “We Live in Time” and experiencing some of its chapters of life with their characters, albeit from different perspectives. When Almut is diagnosed with late-stage ovarian cancer, she is forced to make difficult decisions that weigh having children with her ambition as a chef.

“I wanted this to be gone now so I knew how she feels in these scenes that I’ve read in the script and thought about, but that I can’t imagine how she felt yet,” Pugh says, pointing at her hair. “I loved that day. It was a very powerful day.”

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