Absolutely: FKA twigs featuring Future, “holy terrain” - twigs’s music went slightly left field after her astonishing 2014 full-length, LP1, so it’s nice to hear her working with more accessible sounds and melodies on “holy terrain,” the second single from her upcoming Magdalene album. She strikes me as someone with that Kate Bush-Björk-Prince-Missy/Timbaland gift of being able to make the alien make sense to an ear attuned to pop. In a sophisti-trap framework, twigs snakes around the pre-chorus like she’s invoking Sade’s slinkiest melodies, but when she gets to the chorus, it’s almost astonishing how much she sounds like Ariana Grande (especially on the first two lines: “For a man who can follow his heart/Not get bound by his boys and his chains”). That’s audacious. Future is here, but his verse is neither here nor there. —Rich Juzwiak
Y/N is a guide to the week’s music releases based on our highly scientific, non-subjective Yes/No rating system.- twigs’s music went slightly left field after her astonishing 2014 full-length,, so it’s nice to hear her working with more accessible sounds and melodies on “holy terrain,” the second single from her upcomingalbum. She strikes me as someone with that Kate Bush-Björk-Prince-Missy/Timbaland gift of being able to make the alien make sense to an ear attuned to pop.
That’s why I feel upset about this song, which features three women I like individually, but do not understand as a unit? Ariana Grande is here doing her standard Ponytail Princess shtick; Lana Del Rey is in this for like, two seconds; Miley Cyrus is wet. Like, physically wet.
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