Brian Lindstrom, the husband of 'Wild' author Cheryl Strayed who was known for his underdog documentaries that inspired social change, has died. Just weeks ago, Strayed shared that Lindstrom was diagnosed with a rare neurological disease.
Brian Lindstrom, a filmmaker whose documentaries shined a light on society’s underdogs and inspired social change, has died. He was 65.
“Brian Lindstrom died this morning the way he lived — with gentleness and courage, grace and gratitude for his beautiful life,”. “Our children, Carver and Bobbi, and I held him as he took his last breath and we will hold him forever in our hearts. The only thing more immense than our sorrow that Progressive Supranuclear Palsy took our beloved Brian from us is the endless love we have for him.
”, PSP is caused by damage to nerve cells in areas of the brain that control thinking and body movements. The rare neurological disease progresses rapidly. Lindstrom was born Feb. 12, 1961. The son of a bartender and a liquor salesman, he was raised in Portland, Ore.
— which he and his family still called home. He was the first member of his family to attend college, which he paid for by taking out student loans, landing work-study jobs and working summers in a salmon cannery in Cordova, Alaska. During a, Lindstrom said that after he’d exhausted all the video production classes at Portland’s Lewis & Clark College, his professorgave him a gift certificate to a class at the Northwest Film Center.
There, Lindstrom made a short film about his grandpa that landed him a spot in the MFA program at Columbia University. It was a train trip with his grandpa that inspired Lindstrom to tackle challenging topics with a lens that restored dignity to his subjects. His grandpa was a binge-drinker, and on day three of the trip, he woke up with a hangover and was missing his dentures.
Lindstrom, only 5 at the time, noticed the way other passengers treated him and his grandpa differently.
“I think what my films are about is that search for my grandfather’s dentures, the humanizing narrative that bridges the gap between us and them and arrives at we,” he said. Lindstrom said he returned to Portland after film school and “did several projects with the Northwest Film Center that had me putting a camera in the hands of kids on probation, homeless teens, newly recovering addicts, hard-hit people who had hard-hitting stories to share.
” “Those projects taught me so much about the transformative power of art, and they gave me permission I felt in my personal films to ask people if I might follow them, so that an audience could better understand what they were going through, and by extension, better understand themselves,” he said. Lindstrom’s 2007 award-winning cinéma-vérité-style film, “Finding Normal,” followed long-term drug addicts as they left prison or detox and tried to rebuild their lives with the help of a recovery mentor.
“What I’m most proud about is that ‘Finding Normal’ is the only film to ever be shown to inmates in solitary confinement at Oregon State Penitentiary, and not, I might add, as a punishment,” Lindstrom said. ,” a documentary that illuminated the life of a man who grappled with schizophrenia and examined his death, which happened in police custody. Discussing the film with“I make them for the people in the film.
It is my small way of honoring them,” he told the outlet.
“That doesn’t mean I don’t delve into dark areas or that I ignore that person’s struggles. I’m much more concerned with trying to achieve an honest depiction of that person’s life than I am with any potential audience reaction. ” Lindstrom’s work aimed to inspire empathy and humanize those suffering in the margins of society, but it also catalyzed policy change.
His acclaimed 2015 documentary, “Mothering Inside,” followed participants in the Family Preservation Project , an initiative helping incarnated moms establish and maintain bonds with their children. Midway through filming the documentary, the Oregon Department of Corrections announced it planned to nix funding for the FPP. Lindstrom hosted early screenings of the film, which inspired grassroots advocacy that reached then-Gov. Kate Brown, who subsequently signed legislation that restored funding.
The film’s release also helped make Oregon the first state in the U.S. to pass“I Am Not Untouchable. I Just Have My Period,” for the New York Times in 2019. The film highlighted the experience of teen girls in Surkhet, Nepal, and the menstrual stigma they faced. Most recently, the filmmaker released, “” which examined the folk-rock singer’s life from her traumatic childhood and drug-addled adolescence through her rise in the Laurel Canyon music scene and untimely death.
, “It’s the chance to kind of focus on the question: What does it mean to be human? The person that the film is about, what can they teach us, what can we learn from them? What can they learn from themselves? ” In 2017, Lindstrom received the Civil Liberties Award from the American Civil Liberties Union of Oregon for his work advancing civil rights and liberties.
That same year, he received the Distinguished Alumni Award from Lewis & Clark College. In Strayed’s post announcing Lindstrom’s death, she described their more than 30-year partnership as a stroke of “tremendous luck. ” “We loved each other and our kids with deep devotion and true delight. He was a stellar husband.
He was the most magnificent dad. He was a man whose every word and deed was driven by kindness, compassion, and generosity,” she wrote.
“He saw the goodness in everyone. He believed that we are all sacred and redeemable.
“His work as a documentary filmmaker was dedicated to telling stories of people who, as he put it, ‘society puts an X through. ’ He erased that X with his camera and his astonishing heart. ” Strayed’s memoir — which followed her as she hiked 1,100 miles along the Pacific Crest Trail in the wake of her mother’s death, a battle with drug addiction and divorce from her first husband — concludes with a happy ending.
She finished the months-long hike and sat on a white bench near the Bridge of the Gods, a stone’s throw from the spot where, she writes, she’d marry Lindstrom four years later.
“His greatest legacy is Carver and Bobbi, who embody everything good and true about their father. Their extraordinary grace, courage, and fortitude during this harrowing time was unfaltering and grounded in the undying love Brian poured into them every day of their lives,” she wrote.
“We do not know how we will live without him. We’re utterly bereft. We can only walk this dark path and search for the beauty Brian knew was there. It will be his eternal light that guides us.
”Emily St. Martin is an entertainment reporter on the Fast Break Desk. Before joining the Los Angeles Times, she contributed to the New York Times, InStyle, Cosmopolitan, BBC, Vice and Los Angeles Magazine. She also previously worked at the Hollywood Reporter, and served as the digital features editor at Southern California News Group. In 2025, she won first place for best editorial with the L.A. Press Club.
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