“The Fanboy” is a preposterous character that could have addressed serious issues about whiteness, wealth, and privilege.
Contemporary popular culture is obsessed with serial killers—or rather, with a specific brand of serial killers. The meticulous ones. The organized ones. The ones who think of themselves as gods and plan and move through the world accordingly. These are the kind of serial killers that populate TV procedurals and page-turning paperbacks—or, as is the case inin TV procedurals based on page-turning paperbacks.
In Eggold’s hands, Ramsey/The Fanboy is a brilliant kind of lunatic, a beacon of wealth and privilege who sees other people as pawns in his own archly baroque plans.
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