Cole, one of the first African freelance photographers in South Africa, fled the country in 1966, carrying his camera.
I'm honored to be Amsterdam News' Publisher and my father, Wilbert"Bill" Tatum, before me. We've been reporting the news of the day from a Black perspective since 1909 -," the first time in the 125 years of this award it has been given to a Black woman publisher - I am proud to provide no paywall journalism for the Black community we serve, the largest Black and Brown community in the country.
Cole, one of the first African freelance photographers in South Africa, fled the country in 1966, carrying his camera into exile in the United States.I'm honored to be Amsterdam News' Publisher and my father, Wilbert"Bill" Tatum, before me. We've been reporting the news of the day from a Black perspective since 1909 -There, he chronicled the streets of New York City and the segregated culture of the American South. His work in the U.S.
Here is what Raoul Peck said about the work of Ernest Cole and his new documentary “Ernest Cole: Lost and Found.”: Cole’s photographs had always been part of the visual history of the anti-apartheid struggle, but they weren’t always directly associated with him. For example, the iconic image of the African woman sitting on a bench labeled “Whites Only” was something familiar to many, but not always credited to him.
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