With titles like “Emily in Paris” and “The Last Duel,” France has long attracted directors and crews from across the globe and will continue to do so.
Playing a foundational role in the history of film and benefitting from enough picturesque locales to launch a thousand postcards, France has long attracted directors and crews from across the globe.The 2009 passage of the Tax Rebate for Intl. Production and the subsequent 13 years of refinements both incremental and substantial have fundamentally reshaped that logic.
“The base rates are very competitive,” he continues. “So even if you double up in certain places and use a rotation of crews, paying two people for eight hours a day is still cheaper than paying one person $60 an hour with overtime — particularly when you’re applying a 40% tax credit. With that, everything becomes very doable.”
Like that Ridley Scott epic, which shot in the southwestern area of Dordogne and did post-production work at a Paris-based effects house, Tom McCarthy’s Marseille-set “Stillwater” and Wes Anderson’s Angouleme-shot “The French Dispatch” were two other high-profile films that mixed American star power and French expertise — making 2021 something of a banner year for the Gallic industry.
Not to be outdone, French president Emmanuel Macron introduced the France 2030 initiative in October, rolling out a five-year program to invest $633 million in production studios, training programs and immersive technologies as part of a much larger infrastructure project. Production is at an all-time high. Last year saw more than 315,000 shooting days overall, giving the numerous technicians making up Paris’ 160,000-strong production workforce more to do than before. One of 32 local commissions making up the Film France network, Film Paris Region facilitated 409 projects in 2021, and saw the number of international applications more than triple from previous years.
Earlier this year, Benoliel undertook his most ambitious production to date as he oversaw the Adam Sandler-Jennifer Aniston caper “Murder Mystery 2,” a Netflix-produced tentpole that arrived with an uncommonly threadbare team and sourced most of its crew from local talent.
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