Elizabeth Banks in Phyllis Nagy’s ‘Call Jane’: Film Review | Sundance 2022

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Elizabeth Banks in Phyllis Nagy’s ‘Call Jane’: Film Review | Sundance 2022
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‘Carol’ screenwriter Nagy directs the story of a suburban woman’s involvement in the Jane Collective, an underground service that provided safe abortions in Chicago in the years before Roe v. Wade.

Call Jane

opens with a brilliant sequence that begins in a posh Chicago hotel, where an elegantly dressed woman drifts away from her husband’s business shindig. As the camera follows her through the lobby, her blond updo calls to mind another movie character, Kim Novak’s in) is a sturdy, cheerful suburbanite who keeps a household humming and helps her husband with his legal briefs, and she would never describe herself as being under the thumb of anybody.

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