Dylan Arnold Talks ‘Oppenheimer,’ Cillian Murphy’s Grace and the Christopher Nolan Note He’ll Never Forget

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Dylan Arnold Talks ‘Oppenheimer,’ Cillian Murphy’s Grace and the Christopher Nolan Note He’ll Never Forget
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Nolan gave the onscreen younger brother of J. Robert Oppenheimer some words of encouragement courtesy of 'Star Wars' while on set.

When actors take on complex roles that an entire film hinges on, there have been plenty of horror stories about how some of them have handled that pressure on set, but what impressed Arnold the most is the way Cillian Murphy carried himself despite the monumental expectations he was facing.

“There was a very short, easy shot that we had to do, and I asked him what he wanted me to do. And he just looked at me and said, ‘May the Force be with you,'” Arnold says. “So he was willing to let me explore and let me bring myself to it. He just has this extraordinary trust and collaborative spirit that brings out the best in people.”movies and how he ended up wearing a skirt for his fateful scene in which Michael Myers kills his character.

If you had to guess, do you think they were looking for someone to resemble the real Frank Oppenheimer or to resemble Cillian as Robert? In my opinion, Robert seemed a little more calculating in the way that he would approach things, so that’s a big difference. There was a time when they didn’t want Frank on the Manhattan Project because he was once a known communist, but at that time, he felt like that was the right thing for him to do. And per my understanding, Robert warned him about that, but Frank stood by and said, “No, this is what needs to happen.

So once you got to set, how quickly did Chris’ reputation precede him? When did you say to yourself, “Oh, I get why he’s a titan of this industryIt’s hard to not set your expectations high, but they were immediately surpassed when I came on set. It felt like a playful atmosphere. Everyone was so excited to be there. The quality of work from everybody was so superb, and you just feel welcomed.

They say IMAX cameras are quite noisy, so how does that affect relatively quiet dialogue scenes? Chris also isn’t fond of ADR, so they must’ve come up with a solution.

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