Why drones are an amazing tool for landscape photographers.
Mar 08, 2023Aerial photography can give viewers a unique perspective that differs from their everyday visual experience, and therefore can bring novelty to an image.
My first drone was a DJI Phantom 4 Pro, which I soon replaced with a DJI Mavic 2 Pro because of its portability. Today’s drones are the size of cameras and can coexist in the same backpack as my camera, so I can take them anywhere I go. I can adjust the camera’s height according to my composition needs at any time: whether to shoot on the ground with a tripod or in the sky, and even if I wake up in the middle of the night, I can still fly.
I can’t imagine any other means that would allow me to search freely, wait patiently, and take pictures without any danger of being swept away by the waves, regardless of cost.. Helicopters or fixed-wing aircraft can fly long distances, while drones can only fly several kilometers, which is often a limitation. But such comparisons are often misguided: a manned aircraft must take off from an airport, while drones always take off from my side.
The latest drones have reached a critical point in terms of portability and image quality and can now meet the needs of serious photography. For the same image, in a 1:1 crop, the sharpness of the rope is greatly improved by the sharpening processing of the AI sharpening software, and the stones on the ground are also clearly visible. Even if a DSLR camera is mounted on a sturdy tripod with a 24mm wide-angle lens and used to photograph a rope tens of meters away in 30 km/h winds, how much sharper can it be?Instead of worrying about resolution, it’s better to open our arms and embrace this new era.
In order not to disturb others, I flew my drone far away from the campsite and captured a breathtaking view of the entire valley. The battery died after only half an hour, and the light disappeared. There were less than 45 minutes of good lighting. The convenience of the drone allowed me to capture such a magnificent scene.Under backlight conditions, I had to underexpose by one stop to avoid overexposure and brighten up the shadows by two to three stops in post-processing.
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