This article examines the growing emphasis on high fashion in RuPaul's Drag Race and argues that it overshadows the traditional DIY aspect of drag. The author critiques the show's tendency to judge queens based on their sewing skills rather than their overall drag artistry, highlighting the unfairness and the potential harm to the future of drag as a performative art form.
Drag Race has become increasingly focused on performance, often overshadowing the traditional DIY aspects of drag artistry. While performance is undoubtedly an integral part of drag, the emphasis on runway couture and high fashion leaves little room for queens who excel in designing and constructing their own costumes. This shift raises questions about the show's priorities and its impact on the evolution of drag as an art form.
Historically, drag queens were known for their resourcefulness and ability to create their own looks, often using limited resources and trial-and-error methods. This hands-on approach was a defining characteristic of early drag culture. However, as Drag Race gained popularity, the focus shifted towards polished, high-fashion runway looks, leaving many queens who lack sewing skills struggling to keep up.This emphasis on couture has led to criticism and unfair judgments against queens whose strengths lie in other areas of drag, such as character development or lip syncing. While the judges may strive for a certain level of fashion sophistication, the current format penalizes queens who embrace a more traditional, DIY approach to drag. This disconnect between the show's expectations and the roots of drag artistry raises concerns about the future direction of the art form
DRAG RACE FASHION DIY PERFORMANCE ARTISTIC DIRECTION
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