Custom image of Sam Raimi for Don't Move interview
The Big Picture ✕ Remove Ads Sam Raimi may be best known for his direction, helming massive Marvel blockbusters like Spider-Man and creating the timeless Evil Dead horror franchise along with his creative co-chin-spiritor, Bruce Campbell. But Raimi has also produced some of our very favorite horror films of the past few years — flicks like 65, Crawl, and the Poltergeist reboot, among many others.
✕ Remove Ads ADAM SCHINDLER: That's funny. We're from Minnesota, and as a lot of people know, that's all wilderness. So, we had wonderful childhoods growing up in the forest. It's just us creating that fear, doing the things that we didn't really experience growing up. We were on the lakes and fishing and all that kind of stuff when we grew up. It's very much based on our experience. My grandparents had a cabin that they built on a lake.
✕ Remove Ads SCHINDLER: We've been friends since fourth grade, so we have a secondhand by this point. In our other movies we've done, people have been like, “I don't understand. How does the relationship work?” Then they get on set the first day, and they're like, “Oh, okay. I see how it is.” We just have this unwritten thing where I look at Brian, and he's like, “Yep, I'm already on it.
✕ Remove Ads SCHINDLER: Having two brains on set probably doubles the opportunities to pick up on something that the other person's not really focused on, I guess. But to us, it's second nature. It's hard to break down exactly how our process works that way. We're always there. We're always backing each other up. It's the director's job to have a 30 to 40,000-foot view of everything that's going on. Sometimes he's at 20,000 feet, and I'm at 40.
✕ Remove Ads Was ‘Don’t Move’ Shot In Sequence? I don't know if you filmed in order, but how much did you want to film in order? What was it actually like shooting with the line producer, figuring it out? ✕ Remove Ads NETTO: We worked with him before. We did an anthology series called 50 States of Fright, and he did an episode there as well. He is so influential on us as filmgoers, first and foremost. So, working with him was one of those bucket list moments. More than anything, I think the biggest thing we took away was his level of enthusiasm. However many years into the game, he's still in it. He still gets excited. But more importantly, he gets excited for you.
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