'Space Babies' and 'The Devil's Chord' offer a charming, uneven start to the show's new era—but lay a fascinating groundwork for what could be coming.
Doctor Who is one of the most malleable shows on Earth. Its heroes change every few years, its titular one literally transforms into someone new. Every week a different time, a different space, a different tone—and a new chance to deliver a story that’s also wildly malleable in quality. Doctor Who is about storymaking, but rarely is that part of the text in the way the show’s new era is laying down some intriguing hints as to how it might be now.
But “The Devil’s Chord” takes this awareness of storytelling and runs with it in darker, weirder, and more compelling ways. There’s Maestro themselves—a being from outside our known constraints of time and space who feasts on the very nature of sound itself, from the whispers of the universe to the potentiality of a song or set of notes.
Doctor Who Specials Jodie Whittaker Fifteenth Doctor Third Doctor The Church On Ruby Road Entertainment Culture Disney Doctor Who Series 14 Millie Gibson Ninth Doctor The Doctor Tenth Doctor Gibson S Time Lords Ruby Eleventh Doctor John Simm First Doctor Gizmodo
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