The show 'is not exactly a sympathetic portrait of Phyllis Schlafly, but it is at pains to put these speeches into the mouth of its protagonist, to humanize her and paint her as a woman who triumphs over adversity and sees what women are really up against.'
), but whose virtues are part and parcel of what makes her so reprehensible. The Schlafly ofis organized, motivated, and politically savvy—and she puts all those admirable qualities toward confining the role of women. Take this example of argumentative jiujitsu from a real-life: “I’d like to burn you at the stake,” Betty Friedan told Schlafly, to which the Illinois activist replied, “I’m glad you said that because it just shows the intemperate nature of proponents of ERA.
Yet, with the masterful Blanchett in the lead, it’s very hard not to fall for Schlafly, at least a little. As the first episode draws to a close, Schlafly is gathering the troops, dispatching her newsletter with envelope-knife precision, while Bella Abzug and Gloria Steinem clink Champagne-filled mugs in messy bonhomie, congratulating themselves on a job well done. The ERA has been passed by the House and the Senate. All it has to do is go back to the states for their stamp of approval.
It is also, however, about women coming together from a diversity of backgrounds, crossing bipartisan divides that seem in this day and age almost unimaginable. One can understand why such a megawatt cast came together for that prospect: There’s Byrne swanning about in a wig that just about approximates
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