The star plays a middle-aged TV host who signs up for a drug to generate a replicant of her younger self in Coralie Fargeat’s blood-soaked satire
The star plays a middle-aged TV host who signs up for a drug to generate a replicant of her younger self in French director Coralie Fargeat’s blood-soaked satire
Of course there’s no shortage of horror movies that use the older female body for grotesque shock value. They’re a key element of the “is not so much the body itself as a reaction to the idea of it. The story is triggered by the violent swerve in attitudes once a woman has turned 50 and hit what society deems to be her built-in obsolescence. It’s gleefully excessive stuff – a film that conjures up outrageous and monstrous images and then covers them all with yet more blood.
Depressed, with nothing but the endless wasteland of irrelevance to look forward to, Elisabeth is an ideal customer for the Substance, a hidden-market cellular reproduction drug that promises a new you – literally: a box-fresh, wrinkle-free version synthesised from your existing genetic material and “birthed” in the most gruesome way imaginable.
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