Anne Soward joined the Wallpaper* team as Production Editor back in 2005, fresh from a three-year stint working in Sydney at Vogue Entertaining & Travel. She prepares all content for print to ensure every story adheres to Wallpaper’s superlative editorial standards. When not dotting the i’s and crossing the t’s, she dreams about real estate.
, takes an in-depth look at the unexpected intersection between art and deathmatch wrestling, a hardcore offshoot of traditional wrestling that involves everything from nail-studded props and broken glass to barbed wire., an annual publication that seeks to bridge the gap between art and wrestling – has long been one of those devotees. ‘I’ve been a fan since the late 1990s,’ he says. ‘Back then, the only way to get your hands on deathmatches was through tape trading.
‘Humanity is always the centre of my practice': Alex Prager's new work blurs the line between reality and fiction
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