Deadpool & Wolverine: Oscars Contender?

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Deadpool & Wolverine: Oscars Contender?
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The creators of Deadpool & Wolverine discuss the possibility of the film being nominated for an Oscar, particularly in the 'Best Adapted Screenplay' category. They highlight the film's balance of comedy and drama, emphasizing its depth beyond its humorous facade.

This article covers a developing story. Continue to check back with us as we will be adding more information as it becomes available. Superhero movies have a complicated relationship with the Academy Awards. Typically, their nominations tend to be for more technical categories, such as Best Visual Effects. A notable exception to this was Black Panther receiving a nod for Best Picture.

Even so, the minds behind Deadpool & Wolverine discussed whether the MCU's first R-rated outing could be an Oscars contender, specifically in the'Best Adapted Screenplay' category. Speaking with IndieWire, director Shawn Levy explained: 'There’s this presumption, because the movie has a bouncy, naturalistic flow to it that, 'Oh, we’re just finding it through improvisation, and we’re trying stuff out on set.' And certainly, there’s a little bit of that, but we refuse to go into production without a script that is honestly 95 percent reflective of the movie that everyone’s seen, and it really was the outgrowth of a long, long writing process.' For his part, Deadpool & Wolverine's writer and star Ryan Reynolds explained how boiling the film down to a comedy is a disservice to its broader themes. He further elaborated: 'Many of the alt jokes are written in advance. One thing that’s against it is that a lot of people consider it a comedy. That’s fair, but it has a backbone that is emotion and warmth. Comedy and drama both subsist on tension. Certainly comedy is designed to set up an expectation and then come 90 degrees to it or subvert it. Somehow, you can do that so much more when you have dramatic stakes. When these two feelings are working in concert with each other, it allows you so much more leeway.' 'And going into the movie, we felt we had a lot to prove to Marvel and Disney. It’s the first big Fox property, after Disney bought the studio, to be R-rated. We had to write a movie that was a four- quadrant R-rated movie. That’s a hard thing to d

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