‘Daytime Revolution’ Review: In a Fascinating Footnote From the John Lennon-Yoko Ono Annals, Hipster Activists Reach the Middle American Masses

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‘Daytime Revolution’ Review: In a Fascinating Footnote From the John Lennon-Yoko Ono Annals, Hipster Activists Reach the Middle American Masses
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Erik Nelson’s doc revisits a unique experiment in countercultural messaging, when the famed couple stepped in for a week in 1972 as co-hosts of the hugely popular ‘Mike Douglas Show.’

networks and a single daytime talk show was able to generate viewer numbers as high as 40 million a week — more than a fifth of the population back then. Now imagine, if you will, a broadcast climate in which a beloved fixture of afternoon TV, watched in red states and blue, would risk alienating a significant chunk of his audience by welcoming as co-hosts a celebrity couple known for their revolutionary zeal.

At first glance, Douglas would appear to be of a generation and a mindset incompatible with Lennon and Ono. That impression is furthered by the lounge-act version of the Beatles’ “Michelle” that the former Big Band singer performs as an intro. But Douglas’ openness, as much as Lennon and Ono’s relaxed spontaneity, is a reason the experiment works.

Then there are the less familiar faces, like biofeedback researcher Gary Schwarz, who hooks them all up to electrodes to measure their internal responses to music; avant-garde musician David Rosenboom; macrobiotic chef Hilary Redleaf, who leads a cooking demonstration making hijiki pockets; and folk singer/activists Nobuko Miyamoto and Chris Iijima, known as Yellow Pearl, whose lovely song about second-generation migrants “We Are the Children,” carries a message still relevant more than 50...

Nader, who was 37 at the time and is now 90, brings context to explain why these episodes were so transgressive. In his 1972 appearance, he recommends a how-to manual for politically and socially motivated students to organize, pushing a more responsible grasp of citizenship. In the contemporary interview, he wryly echoes Lennon and Ono’s sentiments encouraging young people to get out and vote by reminding us that skepticism is more useful than cynicism in politics.

While the focus leans harder into social change than music, Lennon does reflect on the Beatles years, his upbringing and early influences . He’s reported to have said the basement studio in Philadelphia wherewas taped reminded him of storied early Beatles venue The Cavern, in Liverpool.

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