PARIS, Jan 13 — Damien Chazelle’s new film pulls zero punches in its drug-addled, vomit-splattered vision of Hollywood’s early years, and the French-American filmmaker...
He has tried his hand on a streamer, directing the series“But the big screen is always something different — an experience that is not interrupted, not divided into chapters,” he said.
“It’s a bit like a drug trip — when you leave the cinema, the world looks different, something is changed.”was a tough project to get off the ground, with a budget estimated at around US$80 million thanks to its extravagant sets and hundreds of extras. “Thirty or 40 years ago, it was not uncommon to see films like this. But financing this type of film is not so easy today and it’s becoming more and more difficult — so it’s more and more important to show that it can still exist.
“The challenge today is to do something that justifies the big screen, as we can’t put just anything up on it. We have to fight for this privilege.”“People die, but Hollywood, industry and art don’t die, that’s the irony. “It’s been 100 years that we’ve been saying cinema will soon die, or that it’s already dead, but cinema and art are a story of death and rebirth, they are cycles”. — AFP
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